Review of Judith Turner’s The Flatness of Ambiguity
August 28th, 2012 | by Angela Son
Think of a time that you’ve been at an exhibition you’ve been meaning to check out for weeks: as [&hellip
August 28th, 2012 | by Angela Son
Think of a time that you’ve been at an exhibition you’ve been meaning to check out for weeks: as [&hellip
August 22nd, 2012 | by Julie Davis
A wild-eyed character taking an ax to his coffee machine is the opening image of Crystal Gonzalez’s comic book In [&hellip
August 21st, 2012 | by Angela Son
The dress has long been a symbol representative of the female form. Why is it that a simple piece of [&hellip
August 16th, 2012 | by Angela Son
The exhibition was put together by the Women’s Caucus for Art (WCA), a national organization that creates community through art, [&hellip
August 7th, 2012 | by Elizabeth Coleman
Seeing a wall of 200 naked, altered Barbies might be a little off-putting for some. But not for assemblage artist Deborah [&hellip
July 6th, 2012 | by Alison Kjeldgaard
French artist Françoise Pétrovitch’s work is something of a balancing act. At first glance, viewers may be inclined to smile [&hellip
July 1st, 2012 | by Alison Kjeldgaard
Performance artist Anya Liftig has eaten fish guts, slathered herself in chocolate frosting, and willingly had 243 eggs thrown at her. [&hellip